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Xmen 3

Xmen 3 X-Men : The Last Stand

Die verstorbene Kollegin der X-Men wird als Dark Phoenix wieder geboren und ist nicht nur eine Gefahr für sich selbst, sondern auch für die anderen Mutanten und die menschliche Rasse. Als eine mögliche Heilung gefunden wird, müssen sich die X-Men. Warren Worthington III (Angel), für den sein Vater das Mittel primär entwickelt hat, weigert sich aber im letzten Moment, sich der Behandlung zu unterziehen, und. Nach der Übernahme von 20th Century Fox kündigte Disney den amerikanischen Kinostart für den 3. April an. Mitte März wurde dieser aufgrund der. Aber für die X-Men, die von Professor X (Patrick Stewart), Cyclops (James Marsden) und Storm (Halle Berry) angeführt werden, ist die Sache nicht ganz so einfach. aiue.se - Kaufen Sie X-Men 3 (Einzel-DVD) günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer.

xmen 3

aiue.se: „X-Men: Der letzte Widerstand“ läuft heute Abend auf ProSieben. Am Ende des Films findet sich eine verwirrende (und. X-Men: Der letzte Widerstand ein Film von Brett Ratner mit Halle Berry, 3,0. Veröffentlicht am Januar Der dritte Teil der X-Men Reihe ist nicht mehr​. aiue.se - Kaufen Sie X-Men 3 (Einzel-DVD) günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer. xmen 3 Michelle Webb Retrieved June read article, Archived from the original on October 9, BBC Online. London: British Film Institute. Costume Designers Guild :

Aug 22, In my review of Return of the Jedi, I spoke about the baggage that comes with threequels and their tendency to be the runts of their respective litters.

That being said, the same person being in charge is not in itself a guarantee of quality, as Spider-Man 3 and Evil Dead 3 firmly demonstrate.

X-Men: The Last Stand has accrued a similar reputation in comic book circles in the 11 years since its release. Whenever this offering is mentioned, fans of the first two films tend to either start foaming at the mouth, disgusted by some deep betrayal, or sigh dejectedly and make some resigned comment about Hollywood.

One could be forgiven, as a casual fan of X-Men, for assuming that this is the s' equivalent of Batman and Robin. Rest assured, it's isn't - but it is very much the Batman Forever of the series, representing a huge climbdown from the heft and skill of old.

A lot has been made about Bryan Singer's sudden departure from the series, with debate raging over how much of the resulting disappointment is his fault.

Singer left the project in July to helm Superman Returns, at a time when only a partial treatment of the story existed.

Singer had intended to focus the third film around Jean Grey's arc leading on from X2, culminating in Jean committing suicide but her spirit surviving as something akin to the Star Child from A Space Odyssey.

Over the ensurng six months, the project was offered to numerous directors who turned it down, including Joss Whedon who was busy on his Wonder Woman project and Alex Proyas, who refused on account of the bad experience he had endured on I, Robot.

Matthew Vaughn, who had then just finished Layer Cake, signed on to direct in February , but even with the release date being pushed back Vaughn felt he did not have the time he needed to make the film he wanted.

Having had some say in the casting - including Kelsey Grammer and Vinnie Jones - he backed out before filming was set to begin in July, paving the way for Brett Ratner to come in.

Whether or not you think that Singer was right to jump ship Superman Returns being the indecisive stodge that it is , much of his influence remains in at least the first hour of this film, just as Tim Burton held some sway over Batman Forever.

His fingerprints are all over the Jean Grey storyline, fleshing out the character and turning her into something truly dangerous.

Her arc is very reminsicent of Amy Irving's character in The Fury itself heavily X-Men-inflected , being as she is a young woman struggling to channel and contain enormously destructive powers that to a large extent she doesn't want.

There's even a sequence where Jean disintegrates people with her power - although it's not as bloody as The Fury's rated version.

If all the good parts of X-Men: The Last Stand lie in whatever Singer managed to contribute before departing, all of the blame for the bad aspects can be laid firmly at Ratner's feet.

The main problem lies in his sensibility - or, to be more precise, the complete lack of it. While Singer worked hard to build a compelling visual world to explore complex themes about racism, identity and alienation, all Ratner really wants to do to make knob gags and blow stuff up.

Despite having been in the running to helm the first X-Men film, he displays no deep knowledge or love for the mythology, being too obsessed with spectacle and cheap humour to put in the hard yards which this kind of story needs.

As a result of both Singer's influence and Ratner's laziness, the film ends up being deeply conflicted. The first hour has some of the substance of old, especially in the opening flashback and some of scenes involving discussions of the cure.

But Ratner doesn't delve as deep as Singer did, introducing the concept and then leaving it as a mere McGuffin. The dialogue is more aggressively macho than before, and talky scenes are more readily broken up with needless editing.

And then there is the needlessly yandere-ish love scene between Jean and Logan, which feels like someone copy-pasted the sauna scene from Goldeneye into their fan fiction.

Building up their relationship is necessary for the pay-off, but this isn't an erotic thriller - you don't have to approach every conversation like it's a prelude to 12A rumpy-pumpy.

As things roll on towards the inevitably explosive conclusion, many of the interesting character arcs which are either introduced or carried over from X2 are left unfinished.

Grammar is a half-decent fit for Beast but is wasted in the role, and Rogue gets an especially tough break; while in X-Men she was arguably the central character, here all she does is go off, get the cure and then come back.

While in the previous two films the action felt like an interlude to or progression from the character development, here everything serves the need for everything to blow up at the end.

Aside from possessing a general contempt for the audience's intelligence, and a number of similar scenes the training simulations, the X-Jet's 'stealth mode' standing in for the invisible car , they also feature really dodgy CGI in the places that it's least needed.

It's not so bad when Logan is having his flesh ripped apart when Jean is in Dark Phoenix mode, but the sequence with the bridge is every bit as ropey as Pierce Brosnan windsurfing over the CGI wave.

Building up to the big battle at the end would be fine if it actually had scale, context and above all meaning. Where Jackson's battles went through given motions, ebbing and flowing to build character and generate tension, the final act of this film is uninvolving, bland and often ridiculous.

Vinnie Jones make the whole thing feel like a cut scene from Gone in 60 Seconds, and the actual ending involving Magneto at the chess board is both unashamed sequel bait and a huge anticlimax.

In spite of all its poor qualities, the cast of X-Men: The Last Stand do just enough to make the experience tolerable.

Famke Janssen is the stand-out, having a commanding screen presence which manages to pierce through the effects and hold our attention; in the scene in the woods, she even upstages Sir Ian McKellen.

McKellen and Patrick Stewart are both fine, though both have settled into 'established actor cameo' mode by the end, and Hugh Jackman continues to make his case for being the definitive Wolverine.

Had Days of Future Past never happened, this would have been a bittersweet farewell for the cast, but you can't blame any of them for not trying in spite of the poor script.

While it makes for watchable viewing during the Jean Grey sequences, there's ultimately too little meat on the bones and too few thoughts between its ears to either satisfy committed fans or compete with its two predecessors.

It id the worst of the original X-Men films, but had Brett Ratner been involved from the very beginning, it could have been even worse.

Daniel M Super Reviewer. Mar 08, While the main players are all great and the action is arguably the best in the saga, X-Men: The Last Stand is too fast and too rushed to make any sort of emotional resonance despite some truly interesting ideas.

Matthew M Super Reviewer. Feb 23, Every franchise has a low point. For some it's a scene or maybe a full act of a film. After two acclaimed outings to kick off the new age of the superhero genre, The Last Stand is just about as goofy and messy as you can get.

It nearly killed the franchise. The reason comic fans are still yearning for a Dark Phoenix adaptation is because this film did a poor job of giving fans anything that closely resembles the classic storyline.

In fact, what makes it even worse is it's hardly an adaptation at all. The first chunk of the movie certainly seems to indicate a Dark Phoenix direction, but once she has a big showdown with Charles Xavier in her childhood home, it becomes a movie way more about the cure than Jean Grey.

It also doesn't help that Jean Grey's phoenix alter ego resembles another absolutely insane Famke Janssen villain, Xenia Onatopp. Yes, she also turns to an intimate make out position in an attempt to kill a few of her victims.

Really, Brett Ratner? Ratner gets a bad rap for The Last Stand, and most of it is warranted. But there are some redeemable qualities to this film.

Plus, he did inherit the directing duties pretty late in the game after Bryan Singer left a few weeks before production began because of Superman Returns.

Although it still doesn't feel necessary at all, I definitely felt an emotional impact when Charles died and Wolverine killed Jean.

The way those particular scenes were directed and shot made for an emotionally resonant few scenes.

The action is also amped up a bit. Rightfully so, the first two films keep the action to a minimum and instead focus on story as the backbone.

The Last Stand tends to do the opposite, hence another reason for the film's failure. As with pretty much every other X-Men related film, there's no sense of continuity whatsoever.

The grounded tone from the first two films is gone entirely. Why the heck is Juggernaut running around acting like he's from the 60's Batman TV series?

Why does Pyro act like he's a worthy right hand man to Magneto? I think the questions raised here still frustrate me to this day.

This could have been one of the best superhero trilogies but instead The Last Stand tries its hardest to tarnish any reputation the first few built.

There are a few moments of classic X-Men joy, but it's really a bunch of nonsense for the most part. Thomas D Super Reviewer.

May 15, Despite being incredibly disappointed with this film upon my first viewing of it almost 10 years ago, as to it falls in the common trap of most 'third' movie franchise entries being the worst or least appealing of their predecessors.

Looking back on this film, I find it's not necessarily that bad; it's still got enough action and drama played out for most the franchises pre-established characters, in saying that without any exception, Hugh Jackman's Wolverine still shines.

Though for the overall plotting and story, the film is an unevenly toned confrontation between these familiar characters the two previous films did so much better at exploring their inner depth and dimension.

Though, fueled by Magneto's revolt against the proposed human threat to mutants, it's also distracted by Jean Grey's evil Dark Phoenix subplot, that doesn't make the X-Men have more of a reason to act against except for when the messy shit gets real.

Lastly, while there's many touching and heartfelt moments in this film with the impact of the plot, it was also unnecessary for the film to purposefully kill off a few of it's well loved, written and performed characters that stood out in the franchise in the first place.

A little more of a clear concentration of the film's plot and characters could have saved it from the unlikable motivations of various characters and story-lines.

It was a poorly planned and over rushed movie that doesn't live up to the standards of true fans, such as myself.

I've been reading and collecting X-Men comics for years and I know all of their back-stories and sub-plots and I expect it to at least live up to the standards of the previous two movies.

The end result is a movie that does not live up to the standards of the trilogy. The bad plot and dialog is replaced by CGI and special effects that try to district you from this poor movie that you shell out your hard-earned cash to see.

It's worth seeing, but try to go see the lower priced day showing of the film. Sign In. Keep track of everything you watch; tell your friends.

Full Cast and Crew. Release Dates. Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide.

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Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. The human government develops a cure for mutations, and Jean Gray becomes a darker uncontrollable persona called the Phoenix who allies with Magneto, causing escalation into an all-out battle for the X-Men.

Director: Brett Ratner. Writers: Simon Kinberg , Zak Penn. Available on Amazon. Added to Watchlist. From metacritic. June's Most Anticipated Streaming Titles.

Top 30 Highest Grossing Superhero Movies. Professor X vs. Professor X. Threequels that I've seen- Ranking. Use the HTML below.

You must be a registered user to use the IMDb rating plugin. X-Men is an American superhero film series based on the fictional superhero team of the same name , who originally appeared in a series of comic books created by Stan Lee and Jack Kirby and published by Marvel Comics.

After each film outgrossed its predecessor, several spin-off films were released, including three Wolverine films — , four X-Men: Beginnings films — , and two Deadpool films — , with a film based on The New Mutants comics set to conclude the series.

Magneto intends to mutate world leaders at a United Nations summit with a machine he has built to bring about acceptance of mutantkind, but he was not aware that this forced mutation will result only in their deaths.

Although he was not a comic book fan, Singer was fascinated by the analogies of prejudice and discrimination that X-Men offered. Colonel William Stryker brainwashes and questions the imprisoned Magneto about Professor Xavier's mutant-locating machine, Cerebro.

Stryker attacks the X-Mansion and brainwashes Xavier into locating every mutant on the planet to kill them. The X-Men must team up with the Brotherhood to prevent Stryker's worldwide genocide.

Hayter and Zak Penn were hired to write their own scripts for the sequel, which Singer would pick, with an aim to release the film in December The film was released on May 2, A pharmaceutical company has developed a "cure" that suppresses the mutant gene, provoking controversy in the mutant community.

Magneto declares war on the humans and retrieves his own weapon: Phoenix , the resurrected former X-Men member Jean Grey. A final battle between the X-Men and the Brotherhood ensues, and Wolverine must accept that in order to stop Grey, he will have to kill her.

Joss Whedon's Astonishing X-Men story "Gifted", featuring a mutant cure, was suggested for the primary story.

Matthew Vaughn came on board as director in February [9] but left due to the rushed production schedule. A prequel and a spin-off focusing on the character Wolverine and his relationship with his half-brother Victor Creed , as well as his time with Stryker's Team X , before, and shortly after his skeleton was bonded with the indestructible metal, adamantium.

David Benioff was hired to write the screenplay for the spin-off film Wolverine in October The film was released on June 3, Wolverine must defend the man's granddaughter Mariko Yashida from all manner of ninja and Yakuza assassins.

Christopher McQuarrie, who went uncredited for his work on X-Men , was hired to write the screenplay in August Matthew Vaughn was attached to direct the film but left in October to focus on the film Kingsman: The Secret Service.

Mercenary and former Special Forces operative Wade Wilson is subjected to an experiment that leaves him with new abilities.

He adopts the alter ego Deadpool to hunt down the man who nearly destroyed his life. In May , Marvel Studios attempted to produce a Deadpool film as part of a distribution deal with Artisan Entertainment.

David S. Goyer was set to write and direct and courted actor Ryan Reynolds for the lead role, but lost interest within months in favor of other projects.

Disillusioned with the world as he finds it, he recruits a team of mutants to cleanse mankind and create a new world order, over which he will reign.

Raven , with the help of Professor X, must lead the X-Men to stop Apocalypse and save mankind from destruction. Directed by Singer from a script by Simon Kinberg, Dan Harris and Michael Dougherty, the film was said to focus on the origin of the mutants.

In , Logan and Charles Xavier meet a young girl named Laura , a test-tube daughter of Wolverine, who is being hunted by the Reavers led by Donald Pierce.

By November , 20th Century Fox had begun negotiations for the treatment for a third Wolverine solo film with director James Mangold and Donner attached to produce.

In April , Michael Green was hired to work on the film's script. After a personal tragedy, Deadpool creates the X-Force to save a young mutant from the time-traveling soldier Cable.

In September , Kinberg said that a sequel for Deadpool was in development. Set nine years after the events of X-Men: Apocalypse , the X-Men are superheroes going on increasingly risky missions.

When a solar flare hits Jean Grey during a rescue mission in space, she loses control of her abilities and unleashes the Phoenix.

The film was announced to be in development in February , with Kinberg confirmed to write and direct in June of the same year. Five mutants are discovering their abilities while held in a secret facility against their will.

They will fight to escape their past sins to save themselves. Weber with Donner and Kinberg producing. This section shows characters who will appear or have appeared in more than two films in the series.

The X-Men film series is the second highest-grossing film series based on Marvel Comics characters after the Marvel Cinematic Universe.

Realism at this time of year? How unorthodox! The first two films were highly praised due to their cerebral tone. However, when director Bryan Singer left the series, many criticized his successor, Brett Ratner.

Colin Colvert of the Star Tribune felt "Singer's sensitivity to [the discrimination themes] made the first two X-Men films surprisingly resonant and soulful for comic-based summer extravaganzas Singer is adept at juggling large casts of three-dimensional characters, Ratner makes shallow, unimaginative bang-ups.

The differences in quality between the three are minor, however; despite the change in directors, there seems to be a single vision.

Alonso Duralde of The Wrap felt that "Singer keeps things moving along briskly enough that you can just go along with the ride of Superhero Stuff without getting bogged down".

There was criticism of the large cast, and the limited screentime for all of them. He observed the filmmakers were "big fans of silent henchmen", due to the small roles of the various villainous mutants; such as Lady Deathstrike and Psylocke.

He also criticized 20th Century Fox for not mapping out the series from the beginning. From Wikipedia, the free encyclopedia.

Series of films and television series based on the fictional Marvel Comics superhero team X-Men. Official film series logo. Lauren Shuler Donner Simon Kinberg.

Main article: X-Men film. Main article: X2 film. Main article: X-Men Origins: Wolverine. Main article: X-Men: First Class.

Main article: The Wolverine film. Main article: Deadpool film. Main article: X-Men: Apocalypse. Main article: Logan film.

Main article: Deadpool 2. Main article: Dark Phoenix film. Main article: The New Mutants film. Main article: List of X-Men films cast members.

For more details on the reception of each film, see the "Reception" section on each film's article.

Entertainment Weekly. Archived from the original on May 5, Retrieved August 8, Archived from the original on March 9, Retrieved October 11, Archived from the original on February 3, Retrieved May 22, Archived from the original on January 11, Retrieved July 11, Box Office Mojo.

Archived from the original on December 16, Retrieved June 1, Archived from the original on February 19, X-Men: The Ultimate Guide. Dorling Kindersley.

April 11, The Hollywood Reporter. Archived from the original on September 30, Retrieved April 15, Archived from the original on March 10, We worked incredibly close with Matthew, and wrote a very fast sort of structural draft so they could budget and start prepping the movie.

We worked with him for three or four months, and then Matthew ended up leaving the movie for personal reasons in June or July.

That was actually a studio executive's idea. One of them had read Joss Whedon's ["Gifted"] run with the mutant cure in it and thought that would be an interesting quandary for the characters.

Ain't It Cool News. Archived from the original on August 20, Retrieved August 7, Retrieved February 4, Archived from the original on January 10, Retrieved August 3, Archived from the original on December 10, Archived from the original on January 4, Retrieved September 1, October 15, Archived from the original on October 30, Retrieved October 15, March 20, The Honolulu Advertiser.

Archived from the original on October 12, Retrieved October 18, Archived from the original on June 21, Retrieved June 13, Archived from the original on October 7, Retrieved December 18, Deadline Hollywood.

Archived from the original on August 14, Retrieved July 9, Archived from the original on April 26, Retrieved May 6, Archived from the original on May 20, Archived from the original on November 13, Retrieved December 2, Archived from the original on July 28, Retrieved July 26, Retrieved August 13, Archived from the original on December 8, Retrieved March 17, Archived from the original on June 17, Retrieved June 16,

Gerald Paradies. Weitere internationale Rezensionen laden. More info variety. Dort offenbart Professor X, dass Jean eine multiple Persönlichkeitsstörung hat und er einst die mächtige Phoenix mithilfe seiner telepathische Kräfte unterdrückt hat. Sicherlich sind die Effekte only god besten als die vorherigen Filme aber die Story hinkt hinten nach. Oktober screenrant. Während Erik beeindruckt ist, macht sich Charles Sorgen, da click the following article Kräfte click to see more nur überaus stark sind, https://aiue.se/serien-stream-seiten/papenburg-kino.php auch meist instinktgesteuert freigesetzt werden. Thomas Nero Wolff. Filmkritiker loben besonders die realistischen Töne und Subtexte der Filmreihe, die sich mit Diskriminierung und Intoleranz befasst, während Deadpool source für seine Comictreue und als R-Rated -Fassung konzipierte Umsetzung gelobt wurde. Phoenix auf seine Seite zu bringen. Einst herrschte er im antiken Ägypten als gottgleiche Gestalt und möchte nun die Unterdrückung der Mutanten auf link Erde beenden. Xavier, dass Jeans Persönlichkeit gespalten ist. X-Men: Der letzte Widerstand ein Film von Brett Ratner mit Halle Berry, 3,0. Veröffentlicht am Januar Der dritte Teil der X-Men Reihe ist nicht mehr​. aiue.se: „X-Men: Der letzte Widerstand“ läuft heute Abend auf ProSieben. Am Ende des Films findet sich eine verwirrende (und. Wolverine gesteht Jean, dass er sie click the following article, bevor er sie mit seinen Adamantiumklauen durchbohrt und damit tötet. Gebraucht: Sehr gut Details. Deadpool und X-Men: Apocalypse folgten beide im Jahr Friedrich Josef Sommer. August in die deutschen Kinos kommen. Naja, es gibt seine Zwillingsschwester Cassandra Nova. Während der Kampf tobt, entsendet Magneto Juggernaut, der in den Forschungstrakt eindringen und Leech töten soll. Storm und Wolverine versuchen zu haus, ins Haus zu gelangen, liefern sich dabei jedoch eine Schlacht https://aiue.se/serien-stream-seiten/shameless-stream-deutsch.php Juggernaut und Callisto. Magneto source Xavier betreten das Haus und jeder versucht, Jean bzw. Unverzüglich begibt er sich zum Alkali Lake, wo Read article tatsächlich wieder den Wassermassen, die sie einst begruben, entsteigt. Es gibt auch viel zu viel Mutanten, und die vereinzelten gehen einfach runter.

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X-Men: Days of Future Past

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Frank Otto-Schenk. Sumela Kay B. Mai https://aiue.se/stream-filme-deutsch/multiversum.php, abgerufen am just click for source. Storm und Wolverine versuchen ebenfalls, ins Haus zu gelangen, liefern sich dabei jedoch eine Schlacht mit Juggernaut und Callisto. Https://aiue.se/neu-stream-com-filme-online-anschauen/transporter-refueled-stream.phpdass er die Action und die Absurdität des Films genoss. Bryan Singer hat das Zepter an Brett Ratner übergeben. Great Movie. Mai moviepilot. Es stellt sich heraus, dass er der Drahtzieher des Attentates war, da sein Sohn selbst ein Mutant ist und dieser seine Mutter, Strykers Frau, in den Selbstmord trieb. Let's get your review verified. Archived from the original on June 6, Archived here the original on March 17, Mi Bs.to food wars Lee as Newscaster. Kearns Franziska Keller Archived from the original on September 1, Mutant Theatre Organizer. Logan fatally stabs Jean, killing the Phoenix, click here mourns her death. It's a fast and enjoyable B-movie.

Mike Manzel Ryan McDowell Julie McHaffie Teresa A. Mixon Tana Lynn Moldovanos Kenny Myers Candace Neal James Patterson David Perteet Tim Phoenix Christopher Mark Pinhey Sheryl Ptak Creations Geoff Redknap Danna Rutherford Jackie K.

Bill Terezakis Kyla Rose Tremblay Steve Wang Clinton Wayne Michelle Webb Vince Yoshida Karen Asano-Myers Arnold Ashley Bell Michael Bethune Jennifer R.

Clark James Clyne Scenic Artist Derek Del Puppo Green Gabriel Hardman Hepnar Peter Hinton Anthony Jackson Jasmin Jakupovic Kearns Franziska Keller Lunt Vladimir Lushnikov Rouke Ann Rowley Hemphill Craig Henighan Murray Charles O'Shea Chris Flemington Brian Rae Andrew Sculthorp Andrew Sculthorp Andrew Smith Wilkinson TaMara Carlson Woodard Anthony Christine Arboit Tamara Garabedian Garabedian Richard Garnish Heitmann Demers Heitmann Richard Helliwell Katherine Hurst Miller Seth F.

Mihaela Orzea Plaisted Ed Plant Paul Venn Stirling Tang Eric Tang Lidar supervisor: Lidar Services uncredited Robert Minsk Anderson Taryn Ash Ateah James Bamford Camera Trainee Andreas Carmona Contreras D.

Michael Muro Charlie Newberry Brigidi Andrea Brown Giordano Nina Gogishvilli Klassen Paisley Shaw June 22, Full Review…. June 7, Full Review….

May 27, Full Review…. June 28, Full Review…. June 5, Rating: 2. June 3, Rating: 2. November 2, Full Review….

View All Critic Reviews Aug 22, In my review of Return of the Jedi, I spoke about the baggage that comes with threequels and their tendency to be the runts of their respective litters.

That being said, the same person being in charge is not in itself a guarantee of quality, as Spider-Man 3 and Evil Dead 3 firmly demonstrate.

X-Men: The Last Stand has accrued a similar reputation in comic book circles in the 11 years since its release. Whenever this offering is mentioned, fans of the first two films tend to either start foaming at the mouth, disgusted by some deep betrayal, or sigh dejectedly and make some resigned comment about Hollywood.

One could be forgiven, as a casual fan of X-Men, for assuming that this is the s' equivalent of Batman and Robin. Rest assured, it's isn't - but it is very much the Batman Forever of the series, representing a huge climbdown from the heft and skill of old.

A lot has been made about Bryan Singer's sudden departure from the series, with debate raging over how much of the resulting disappointment is his fault.

Singer left the project in July to helm Superman Returns, at a time when only a partial treatment of the story existed.

Singer had intended to focus the third film around Jean Grey's arc leading on from X2, culminating in Jean committing suicide but her spirit surviving as something akin to the Star Child from A Space Odyssey.

Over the ensurng six months, the project was offered to numerous directors who turned it down, including Joss Whedon who was busy on his Wonder Woman project and Alex Proyas, who refused on account of the bad experience he had endured on I, Robot.

Matthew Vaughn, who had then just finished Layer Cake, signed on to direct in February , but even with the release date being pushed back Vaughn felt he did not have the time he needed to make the film he wanted.

Having had some say in the casting - including Kelsey Grammer and Vinnie Jones - he backed out before filming was set to begin in July, paving the way for Brett Ratner to come in.

Whether or not you think that Singer was right to jump ship Superman Returns being the indecisive stodge that it is , much of his influence remains in at least the first hour of this film, just as Tim Burton held some sway over Batman Forever.

His fingerprints are all over the Jean Grey storyline, fleshing out the character and turning her into something truly dangerous.

Her arc is very reminsicent of Amy Irving's character in The Fury itself heavily X-Men-inflected , being as she is a young woman struggling to channel and contain enormously destructive powers that to a large extent she doesn't want.

There's even a sequence where Jean disintegrates people with her power - although it's not as bloody as The Fury's rated version.

If all the good parts of X-Men: The Last Stand lie in whatever Singer managed to contribute before departing, all of the blame for the bad aspects can be laid firmly at Ratner's feet.

The main problem lies in his sensibility - or, to be more precise, the complete lack of it. While Singer worked hard to build a compelling visual world to explore complex themes about racism, identity and alienation, all Ratner really wants to do to make knob gags and blow stuff up.

Despite having been in the running to helm the first X-Men film, he displays no deep knowledge or love for the mythology, being too obsessed with spectacle and cheap humour to put in the hard yards which this kind of story needs.

As a result of both Singer's influence and Ratner's laziness, the film ends up being deeply conflicted. The first hour has some of the substance of old, especially in the opening flashback and some of scenes involving discussions of the cure.

But Ratner doesn't delve as deep as Singer did, introducing the concept and then leaving it as a mere McGuffin. The dialogue is more aggressively macho than before, and talky scenes are more readily broken up with needless editing.

And then there is the needlessly yandere-ish love scene between Jean and Logan, which feels like someone copy-pasted the sauna scene from Goldeneye into their fan fiction.

Building up their relationship is necessary for the pay-off, but this isn't an erotic thriller - you don't have to approach every conversation like it's a prelude to 12A rumpy-pumpy.

As things roll on towards the inevitably explosive conclusion, many of the interesting character arcs which are either introduced or carried over from X2 are left unfinished.

Grammar is a half-decent fit for Beast but is wasted in the role, and Rogue gets an especially tough break; while in X-Men she was arguably the central character, here all she does is go off, get the cure and then come back.

While in the previous two films the action felt like an interlude to or progression from the character development, here everything serves the need for everything to blow up at the end.

Aside from possessing a general contempt for the audience's intelligence, and a number of similar scenes the training simulations, the X-Jet's 'stealth mode' standing in for the invisible car , they also feature really dodgy CGI in the places that it's least needed.

It's not so bad when Logan is having his flesh ripped apart when Jean is in Dark Phoenix mode, but the sequence with the bridge is every bit as ropey as Pierce Brosnan windsurfing over the CGI wave.

Building up to the big battle at the end would be fine if it actually had scale, context and above all meaning. Where Jackson's battles went through given motions, ebbing and flowing to build character and generate tension, the final act of this film is uninvolving, bland and often ridiculous.

Vinnie Jones make the whole thing feel like a cut scene from Gone in 60 Seconds, and the actual ending involving Magneto at the chess board is both unashamed sequel bait and a huge anticlimax.

In spite of all its poor qualities, the cast of X-Men: The Last Stand do just enough to make the experience tolerable.

Famke Janssen is the stand-out, having a commanding screen presence which manages to pierce through the effects and hold our attention; in the scene in the woods, she even upstages Sir Ian McKellen.

McKellen and Patrick Stewart are both fine, though both have settled into 'established actor cameo' mode by the end, and Hugh Jackman continues to make his case for being the definitive Wolverine.

Had Days of Future Past never happened, this would have been a bittersweet farewell for the cast, but you can't blame any of them for not trying in spite of the poor script.

While it makes for watchable viewing during the Jean Grey sequences, there's ultimately too little meat on the bones and too few thoughts between its ears to either satisfy committed fans or compete with its two predecessors.

It id the worst of the original X-Men films, but had Brett Ratner been involved from the very beginning, it could have been even worse.

Daniel M Super Reviewer. Mar 08, While the main players are all great and the action is arguably the best in the saga, X-Men: The Last Stand is too fast and too rushed to make any sort of emotional resonance despite some truly interesting ideas.

Matthew M Super Reviewer. Feb 23, Every franchise has a low point. For some it's a scene or maybe a full act of a film. After two acclaimed outings to kick off the new age of the superhero genre, The Last Stand is just about as goofy and messy as you can get.

It nearly killed the franchise. The reason comic fans are still yearning for a Dark Phoenix adaptation is because this film did a poor job of giving fans anything that closely resembles the classic storyline.

In fact, what makes it even worse is it's hardly an adaptation at all. The first chunk of the movie certainly seems to indicate a Dark Phoenix direction, but once she has a big showdown with Charles Xavier in her childhood home, it becomes a movie way more about the cure than Jean Grey.

It also doesn't help that Jean Grey's phoenix alter ego resembles another absolutely insane Famke Janssen villain, Xenia Onatopp.

Yes, she also turns to an intimate make out position in an attempt to kill a few of her victims. Really, Brett Ratner?

Ratner gets a bad rap for The Last Stand, and most of it is warranted. But there are some redeemable qualities to this film.

Plus, he did inherit the directing duties pretty late in the game after Bryan Singer left a few weeks before production began because of Superman Returns.

Although it still doesn't feel necessary at all, I definitely felt an emotional impact when Charles died and Wolverine killed Jean.

The way those particular scenes were directed and shot made for an emotionally resonant few scenes. The action is also amped up a bit.

Rightfully so, the first two films keep the action to a minimum and instead focus on story as the backbone.

The Last Stand tends to do the opposite, hence another reason for the film's failure. As with pretty much every other X-Men related film, there's no sense of continuity whatsoever.

The grounded tone from the first two films is gone entirely. Why the heck is Juggernaut running around acting like he's from the 60's Batman TV series?

Why does Pyro act like he's a worthy right hand man to Magneto? I think the questions raised here still frustrate me to this day.

This could have been one of the best superhero trilogies but instead The Last Stand tries its hardest to tarnish any reputation the first few built.

There are a few moments of classic X-Men joy, but it's really a bunch of nonsense for the most part. Sensing trouble, Xavier sends Logan and Storm to investigate.

When they arrive, they find only telekinetically floating rocks, Summers' glasses, and an unconscious Jean.

When Logan and Storm return to the X-Mansion, Xavier explains to Logan that when Jean sacrificed herself to save them, she also freed the " Phoenix ", a dark and extremely powerful alternate personality which Xavier had telepathically repressed, aware of the Phoenix's godlike destructive potential.

Logan is disgusted to learn of this psychic tampering with Jean's mind but, once she awakens, he discovers that she killed Summers and is not the Jean Grey he once knew.

The Phoenix emerges, knocks out Logan, and escapes to her childhood home. Magneto learns of Jean's resurrection through Callisto, and the X-Men arrive at the Grey home at the same time as the Brotherhood.

Magneto and Xavier go in, and both vie for Jean's loyalty until the Phoenix resurfaces. She destroys the house and disintegrates Xavier before Magneto and Logan can stop her.

Jean leaves with Magneto. However, the life forms in the camp are all decoy copies of Multiple Man.

Magneto and the Brotherhood have gone to storm Alcatraz by using his magnetic manipulation powers to reroute the Golden Gate Bridge.

The remaining X-Men confront the Brotherhood, despite being significantly outnumbered, and arrive just as the military troops who thus far have been neutralizing the attacking mutants are overwhelmed by the Brotherhood.

Logan has Colossus throw him at Magneto and distract him long enough for Hank McCoy to inject Magneto with the "cure" and thus nullify his powers.

Army reinforcements arrive and shoot at Jean just as Logan had calmed her down. The Phoenix is awakened by the attack and disintegrates the troops in retaliation.

The Phoenix then begins to destroy Alcatraz and anyone within range of her powers. Logan realizes that only he can stop the Phoenix due to his healing factor and adamantium skeleton.

When Logan approaches her, Jean momentarily gains control and begs him to save her, and everyone else, by killing her.

Logan fatally stabs Jean, killing the Phoenix, but mourns her death. Some time later, mutant rights are finally obtained and Xavier's school is still operating with Storm as headmistress.

Rogue reveals to Bobby Drake that she has taken the cure, much to his disappointment. Meanwhile, Magneto sits at a chessboard in San Francisco, seemingly human and weak.

As Magneto gestures toward a metal chess piece, it moves slightly, suggesting the effects of the cure are temporary.

Elsewhere, Moira MacTaggert checks on a comatose patient [7] who greets her with Xavier's voice, leaving her startled.

Various characters were included at the suggestion of editor Mark Helfrich , who brought Marvel's X-Men Encyclopedia to director Brett Ratner, searching for mutants who could make appearance.

Mark Helfrich portrays an unnamed mutant with ash-gray skin. These include Phat , a mutant that is a very large man who can slim down to fit in a smaller space played by two actors, Via Saleaumua — "large mode" — and Richard Yee — "small mode" ; [28] Spike played by Lance Gibson , a mutant who battles Wolverine in the forest by extruding bony spikes from his flesh — the character was added because the editing team felt that the original cut of the scene portrayed Logan as a cold-blooded killer, which could be changed if another mutant attacked Wolverine before he struck the Brotherhood [32] and Glob Herman played by Clayton Dean Watmough , a mutant with transparent skin.

Various other mutants make cameos at the X-Mansion ; Shauna Kain and Kea Wong reprised their cameo roles as Siryn and Jubilee respectively, and three identical girls in the background in one scene are a reference to the Stepford Cuckoos.

Olivia Williams portrays Moira MacTaggert. Lee Ermey. Many fans believed this was Toad; however, the credits list him as lizard man and Brett Ratner confirmed it was Anole.

Avalanche and Vanisher also appear; however, it is not known who portrayed them. Bryan Singer , the director of the first two X-Men films, left the project in July in favor of developing Superman Returns.

The treatment focused on Jean Grey's resurrection, [37] which would also introduce the villainness Emma Frost , a role intended for Sigourney Weaver.

Overwhelmed by her powers, Jean kills herself, but Jean's spirit survives and becomes a god-like creature, which Dougherty compared to the star child in A Space Odyssey.

New contracts for returning cast members were made, as the actors and actresses had signed for only two films.

In February , with still no director hired, Fox announced a May 5, , release date, with filming to start in July in Vancouver.

Brett Ratner , who was previously considered to direct X-Men in , and John Moore were both in the running to replace Vaughn during pre-production.

X2 co-writer Zak Penn was separately working on his own draft, and the two joined forces for a combined screenplay in January Kinberg wanted " The Dark Phoenix Saga " to be the emotional plot of the film, while " Gifted " would serve as the political focus.

This incomplete draft was leaked to Ain't It Cool News , who proceeded to write a negative review.

The writers had to fight Fox's executives to retain the Phoenix plot, as the studio only wanted the cure story as it provided a reason for Magneto's conflict with the X-Men.

Still the disputes made them not add much for Jean Grey to do in most of the film's second half, as the executives considered the tone of the Phoenix story too dark for a mainstream summer movie, and that its appeal would be limited to hardcore fans rather than a general audience.

It's a harder character to relate to for the audience. The studio considered killing him off-screen with a dialogue reference, but Kinberg and Penn insisted that Jean kill him, emphasizing their relationship.

Kinberg and Penn were originally cautious, but grew to like the idea of killing off Xavier. They decided to write a post-credits scene suggesting the character's return for a sequel.

As the studio was simultaneously developing X-Men Origins: Wolverine , limitations were set on which mutants could be used for cameo appearances in X-Men 3 in an attempt to avoid risking character development for Wolverine.

The part of Nightcrawler was so minimal, however, that the studio felt it was not worthwhile to go through the long and costly makeup process, and the character was cut.

It also felt like he might tread a little bit on the terrain of Beast, in terms of similarities in the characters and their political standpoints in terms of dealing with their mutancy.

Afterwards came a scene in the Danger Room , which was considered for the previous X-Men films but never included for budget and writing concerns.

The writers tried to make the simulation not feel extraneous by showcasing some of the character conflicts and abilities in a " Days of Future Past "-inspired battle with a Sentinel.

Another repurposed scene was Magneto attacking the convoy to free Mystique, Madrox and Juggernaut, which Penn had previously envisioned for X2.

Ratner collaborated with Penn and Kinberg in rearranging the plot structure of the film. Kinberg agreed, as he previously argued with Penn about "blowing so many things early in the movie".

Much of the film was shot at Vancouver Film Studios , the same location of X2. The editing team was led by Mark Helfrich, who had edited all of Ratner's films, assisted by Mark Goldblatt in the action scenes and Julia Wong with effects-heavy footage.

According to associate producer Dave Gordon, "This is the biggest production ever filmed in Canada. It used to be X2 , now it's X3.

Dante Spinotti , a frequent collaborator of Ratner, replaced him, with assistance of J. Michael Muro. The two executives screened The Last Stand for their daughters, as well as the studio's female marketing executives, and the hand holding prevailed.

Gianopulos stated that the kissing "was all about sex, and we didn't want that. Even the actors had problems with getting full screenplays, the call sheets did not reveal all the characters, and many scenes were shot in varied ways.

In , Kinberg said of the wobbling chess piece at the end of the film, "There is a scene before the credits where Magneto's playing chess, and you see that he can just make the chess piece move, so there's a hint that he's starting to regain his powers.

The leap from there was that cure from The Last Stand didn't work exactly the way they thought it would, and so we just leaped forward however many years, and he's got his powers back.

To make sure the visual effects were made in just one year and without exceeding the budget, special effects supervisor John Bruno shipped the effects shots to eleven companies in four countries — United States, New Zealand, United Kingdom and Canada — and did extensive previsualization.

Bruno estimates one-sixth of the effects budget was spent on the Golden Gate Bridge scene, which employed both a miniature of the bridge and computer graphics.

The effects team would shoot one minute of footage outdoors each day at "golden hour," complete with explosives in order to have enough plates to composite the scene.

The effects team had to work without reference footage due to the city of San Francisco vetting any filming in the actual bridge, including aerial shooting as the area has restrictions on flying helicopters.

As compositing supervisor Matt Twyford detailed, "the elements consisted of cold, rainy night live-action footage from Vancouver, sunny day miniature elements, traditional misty day background plates of San Francisco, and of course the CG bridge and fx elements.

Powell was unsure if the Bourne work was "the kind of score that would fit the film" and Fox became reluctant on the composer's availability, given he was already scoring Ice Age: The Meltdown at the time of Ratner's contact.

However, Powell finished the Ice Age score early to accept the X-Men job even if it meant a tighter schedule.

Powell included references to the score from the previous two films as "it all had to be in the same family, and the same language". The marketing for The Last Stand was darker and more ambiguous compared to the two predecessors.

Fox president Tom Rothman declared that the decision was made so the film would "be different from all of the other movies in the summer," with a campaign that "wanted people to stop and not have it be so immediately apparent that we're selling a movie.

We're interested in selling an emotion and an idea. Patrick Stewart also appears as Professor X.

The site's critical consensus reads, " X-Men: The Last Stand provides plenty of mutant action for fans of the franchise, even if it does so at the expense of its predecessors' deeper moments.

Ebert and Roeper gave the film a "two thumbs up" rating, [ citation needed ] with Roger Ebert saying, "I liked the action, I liked the absurdity, I liked the incongruous use and misuse of mutant powers, and I especially liked the way it introduces all of those political issues and lets them fight it out with the special effects.

If only the rest of X3 had followed suit. Justin Chang of Variety said the film was "a wham-bam sequel noticeably lacking in the pop gravitas , moody atmospherics, and emotional weight that made the first two Marvel comicbook adaptations so rousingly successful.

Let's blow things up! It's a fast and enjoyable B-movie, though. My ass. Billed as the climax of a trilogy, the third and weakest chapter in the X-Men series is a blatant attempt to prove there is still life in the franchise.

And there is: just enough to pull a Star Trek and spawn a Next Generation saga. I'm probably going to be told off for saying that, but I genuinely believe it.

My X3 would have been 40 minutes longer. They didn't let the emotions and the drama play in that film. It became wall-to-wall noise and drama.

I would have let it breathe and given far more dramatic elements to it. Extras included three alternative endings, each with optional commentary by director Ratner; 10 deleted scenes ; audio commentaries from Ratner, the writers and the producers; and two hidden Easter eggs.

The two-disc edition came with a page commemorative comic book with a new story written by X-Men co-creator Stan Lee, his first original Marvel comic book in five years.

Even though they weren't made together like Lord of the Rings , this is really closure for the X-Men series.

This is the last stand for sure. A stand-alone sequel , [] The Wolverine shows Logan heading for Japan to escape the memories of what occurred during The Last Stand.

Wolverine's consciousness is sent back in time, to his body in order to guide the younger Xavier and Magneto into preventing the events that lead to the desolate future.

The events of the film end up retroactively changing the continuity of the series , changing some events in films set after First Class , resulting in an altered timeline where Jean and Cyclops are still alive.

From Wikipedia, the free encyclopedia. Theatrical release poster. Simon Kinberg Zak Penn. Film portal United States portal Speculative fiction portal.

London: British Film Institute. Archived from the original on January 8, Retrieved May 10, For full data, click "Show more" link.

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